Difference between revisions of "Gallows Tree"

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'''Gallows Tree''' is a [[level]] in Tomb Raider [[Chronicles]].  
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The [[Ireland]] levels of 'Tomb Raider Chronicles' are played through by the young [[Lara]]. While staying at [[Winston]]'s cottage in Connussie with his wife as repairs are being carried out in [[Croft Manor]], Lara notices the entrance of [[Father Patrick Dunstan]], a local Catholic priest. He announces to Winston that he plans to go over to the [[Black Island]] to investigate ghostly apparitions and hauntings. Lara is determined to find out what's going on, and stows away on a boat that Father Dunstan hires to take him across to the Island. Lara hides under a tarpaulin. When they reach the opposite shore, Lara sees the priest go into a cave that seals up again instantly.
  
The whole level is based around a tree where Lara meets a [[hanged demon]]. This demon asks her to find his heart and return it's to his place.
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The level can be divided into three main areas. The first is the gorge that Lara must cross in order to proceed. The second is the stone buildings and cottages by the church steeple; this area also contains the [[Gallows Tree]] itself. The final area is the series of rock-cut tombs that Lara must investigate.
  
In this level you will meet [[rats]], [[flocks of bats]], [[little Demons]]
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The enemies in this level are various [[Bats]], [[Rats]] and [[Imps]].
  
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By far the most interesting event in the level is the cutscene involving the hanged man in the twisted and dead Gallows Tree. He asks Lara to return his heart that is caught in the roots of the World Tree (in this instance, the Gallows Tree), which is guarded by the dragon Niddhog. He ends this with the phrase "My soul is gone, and how it fares, nobody knows, and nobody cares!" this is followed by a burst of sinister laughter and his subsequent disappearance.
  
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Examining this event throws up several insights and questions into the level's design. The 'World Tree' and the dragon named Niddhog is parallel to Norse mythology, which is accurate as for part of it's history Ireland was invaded and settled by Vikings. However, there is no appearance of a dragon, and the Gallows Tree is unlikely to be a candidate for the 'World Tree' - it is rather short and stumpy, with no foliage. However, it's roots appear to extend all across the village area.
  
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The cottages themselves are also interesting. Although they may look like buildings from Medieval Europe, cottages like these were being built and inhabited well into the twentieth century in rural and isolated communities in Ireland and Scotland. The fact that these cottages were inhabited at least in the late nineteenth or early twentieth centuries is proved by the appearance of a bicycle in one of them. The church belltower is almost completely ruined, and the structure of the village appears fairly illogical, as the cottages can only be reached by traversing several pools of water.
  
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The rock cut tombs with their stone sarcophagi are fairly accurate, and are great fun to explore. It is slightly worrying however, that the torches that they are equipped with are still burning.
  
 
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Revision as of 23:39, 11 June 2008

Template:Levelline|Gallows Tree
Gallowstree.jpg
Template:Levelline|Chronicles
Level No 8
Secrets 3
Length N/A
Location Ireland
Template:Levelline|Level Chronology
Sinking Submarine Gallows Tree Labyrinth
Template:Levelline|detailed Walkthrough

The Ireland levels of 'Tomb Raider Chronicles' are played through by the young Lara. While staying at Winston's cottage in Connussie with his wife as repairs are being carried out in Croft Manor, Lara notices the entrance of Father Patrick Dunstan, a local Catholic priest. He announces to Winston that he plans to go over to the Black Island to investigate ghostly apparitions and hauntings. Lara is determined to find out what's going on, and stows away on a boat that Father Dunstan hires to take him across to the Island. Lara hides under a tarpaulin. When they reach the opposite shore, Lara sees the priest go into a cave that seals up again instantly.

The level can be divided into three main areas. The first is the gorge that Lara must cross in order to proceed. The second is the stone buildings and cottages by the church steeple; this area also contains the Gallows Tree itself. The final area is the series of rock-cut tombs that Lara must investigate.

The enemies in this level are various Bats, Rats and Imps.

By far the most interesting event in the level is the cutscene involving the hanged man in the twisted and dead Gallows Tree. He asks Lara to return his heart that is caught in the roots of the World Tree (in this instance, the Gallows Tree), which is guarded by the dragon Niddhog. He ends this with the phrase "My soul is gone, and how it fares, nobody knows, and nobody cares!" this is followed by a burst of sinister laughter and his subsequent disappearance.

Examining this event throws up several insights and questions into the level's design. The 'World Tree' and the dragon named Niddhog is parallel to Norse mythology, which is accurate as for part of it's history Ireland was invaded and settled by Vikings. However, there is no appearance of a dragon, and the Gallows Tree is unlikely to be a candidate for the 'World Tree' - it is rather short and stumpy, with no foliage. However, it's roots appear to extend all across the village area.

The cottages themselves are also interesting. Although they may look like buildings from Medieval Europe, cottages like these were being built and inhabited well into the twentieth century in rural and isolated communities in Ireland and Scotland. The fact that these cottages were inhabited at least in the late nineteenth or early twentieth centuries is proved by the appearance of a bicycle in one of them. The church belltower is almost completely ruined, and the structure of the village appears fairly illogical, as the cottages can only be reached by traversing several pools of water.

The rock cut tombs with their stone sarcophagi are fairly accurate, and are great fun to explore. It is slightly worrying however, that the torches that they are equipped with are still burning.